THEORY EARTH PRISONER
A new theory of the origin of human beings that shakes Darwin's theory of evolution
This book is notarized by the United States law
Author：
HAI-BO MAO
Translation：
Schopenhauer-Friedrich Chen
&
Immanuel-Wilhelm Jiang
Chapter 21
------World Mysteries Solved by the Theory Earth Prisoner
Who left behind the "weird" civilization of Sanxingdui? Why are the large bronze masks not used for sacrifice?
Humans' far-fetched and wrong answers
Sanxingdui ruins are an alien civilization, and the Sanxingdui ruins are the civilization of the descendants of the Xia Dynasty in the Chinese nation.
The truth revealed by the Theory Earth Prisoner
Sanxingdui ruins were an airport and settlement to welcome aliens in ancient times. The pioneers of Bashu in the Chinese nation who had floated into the Sanxingdui settlement and the pioneers of various "lost" civilization groups such as Asian civilization, European civilization, American civilization, and African civilization, in order to guide the second, third, and Nth batches of relatives and tribesmen who floated into the earth, they specially built an airport on the earth to welcome aliens.
The large and small bronze masks are navigation instruments that guide the aliens to land accurately in Sanxingdui. These navigation instruments do not emit light and shadow bands, but deafening impact sound waves, so that their wives, daughters, parents and fellow tribesmen in the air can hear them from afar and follow the sound to accurately land on the Sanxingdui land where they have set up camp as the vanguard.
The Sanxingdui civilization on the land of China is a "holy land" that contemporary humans floated into the earth, just like the Egyptian Sphinx, the Nazca Lines in Peru, and the Stonehenge in Wiltshire, England.
Today, we use the Theory Earth Prisoner as the key to solve the 21st of the 21 major mysteries in the world: Who left the Sanxingdui ruins? Why are the large bronze masks not used for sacrifice?
Some scholars asked, are the large bronze masks in the Sanxingdui ruins statues used for sacrifice? The answer is NO. Have you ever seen any nation in the world open a square hole on the forehead of the statue of the deity they worship, so that it is convenient to insert a stick, move it around, and hang it up for sacrifice?
Have you ever seen Christianity, Abrahamic religions, Islam, Hinduism, Buddhism, Taoism, Sikhism, Baha'i Faith, Jainism, Caodaism, Tiandaoism, and African religions, so many of the gods they worship have a square hole on the head of the god, so that it is convenient to insert a stick, move it around, and hang it up for sacrifice?
1. The birth of Sanxingdui civilization can be traced back to the ancient times
Located in Sichuan, China, the Sanxingdui ruins cover an area of 12 square kilometers. There are three altars in four directions and are known as "Three Stars and the Moon". The appearance is similar to the Egyptian pyramids. It is built with rammed earth and mud bricks. There are sacrificial pits, house foundations, palaces, city walls, ash pits, tombs, kiln sites, etc. A large number of gold, bronze, pottery, jade, stone, ivory and other cultural relics have been unearthed. It has been nearly 100 years since it was discovered in 1929. About 2% of the area has been excavated, and more than 90% of the area has not been excavated. It is known as the ninth wonder of the world and one of the greatest archaeological discoveries of mankind in the 20th century.
The birth of Sanxingdui civilization can be traced back to the ancient times. This is the truth that today's human beings do not know. At that time, human beings floated into the earth after the great migration. In that chaotic era, the rotation of the earth caused the black, white, red, and yellow skin colors and ethnic groups in human beings to drift to where? There is a certain degree of choice. Wherever the vanguard lands, a landmark will be built immediately, and the follow-up troops will land there one after another. Human races and races are scattered all over the world.
Because humans have a certain degree of choice when floating into the earth, the skin color of humans is different in all corners of the world, black, white, red, and yellow, and they do not interfere with each other. If there is any mixing, they may be killed by different races. At least the number of "lost" people is pitiful. If they are not assimilated, they will also become extinct.
2. When the Sanxingdui civilization made bronze masks as navigators, it did not set a unified facial makeup template. It is normal for foreigners to appear in the face shape of the Sanxingdui bronze masks excavated by later generations.
However, the Sanxingdui ruins are completely different. The Bashu people among the Chinese nation on the land of East Asia have extremely broad minds. They sincerely help every foreign brother and sister who floats into the Sanxingdui ruins.
There are many people floating into the Sanxingdui ruins, including Europeans, Asians, Americans, and Africans. When the Sanxingdui civilization made bronze masks as navigation instruments, it did not set a unified facial makeup template. It is normal that foreigners appear in the faces of the Sanxingdui bronze masks excavated by later generations.
The Sanxingdui ruins are a landmark civilization created by the Bashu people of the Chinese nation in the ancient and ancient times. It can be called an alien civilization born on the land of China. The founder of this alien civilization is the Bashu people of the Chinese nation who floated into the land of East Asia and was "nailed" on the land of East Asia by the gravity of the earth.
The ancestors of Sanxingdui left 6 aspects of "relics" to future generations, revealing 6 aspects of "truth":
The first "relic": There is no text on all the bronze artifacts unearthed from the Sanxingdui civilization. The truth revealed by this "relic" is that the Sanxingdui civilization is a civilization jointly created by various ethnic groups, and the time is the ancient times and the ancient times.
The Sanxingdui civilization is mainly composed of the Bashu ethnic group in the Chinese nation, supplemented by various "loose" civilization groups such as Asian civilization, European civilization, American civilization, and African civilization. It is a civilization jointly created by the ancient times and the ancient times. Otherwise, the bronze artifacts excavated from the Sanxingdui civilization today should have bronze inscriptions and other texts on countless bronze artifacts.
During the Shang and Zhou dynasties, the Chinese civilization already had bronze inscriptions. Other civilizations on the earth, such as the Egyptian civilization, the Mayan civilization, and the Indian civilization... all invented text thousands of years earlier than the Chinese civilization. It is impossible for aliens to send a race with such a low level of civilization that even text has not yet been born to the earth.
1. As long as it is the contemporary Chinese nation, or other nations, or aliens, it is impossible not to leave traces of text on bronze ware
The first kind of text born on Earth is the hieroglyphics of ancient Egypt, which was created 5,500 years ago by the ancient Egyptians.
The second kind of text born on Earth is the Mayan text in Central America.
The third kind of text born on Earth is the cuneiform script in West Asia, which was created by the Sumerians in 3200 BC. The Sumerians used pointed sticks to press out the characters on the wet clay tablets. The shape of the strokes is very similar to a wedge, so it is called cuneiform.
The fourth kind of text born on Earth is the Indian Harapan script (also called the Indus script and seal script).
The fifth kind of text born on Earth is the oracle bone script of the Chinese nation, which is the only ancient text that has been passed down to this day among the text types born in ancient times.
If the founder of Sanxingdui civilization was a human in the Bronze Age, whether it was the Chinese nation, other nations, or aliens, it would be impossible for him not to leave traces of text on the bronze ware.
2. A large number of exquisite bronze ware have been unearthed in Henan, Shaanxi, Hunan, Hubei, Sichuan, and Jiangxi, and inscriptions have been found cast on the bronze ware
The bronze civilization on the land of China was born in the Xia, Shang, and Zhou dynasties. The alloys of bronze ware are mainly copper, tin, and lead. The utensils are divided into food utensils, wine utensils, water utensils, musical instruments, weapons, and chariots. The biggest feature is that there are inscriptions on the bronze ware.
The bronze fragments found in Lintong, Shaanxi are the earliest bronze ware unearthed in China. Then, a bronze knife was found at the Majiayao cultural site in Gansu.
The bronze ware of the Xia Dynasty, represented by the Erlitou culture in Henan, followed the Longshan culture and the bronze jue appeared. The patterns and inscriptions followed the styles of the Stone Age and Pottery Age, such as cloud and thunder patterns, coiled dragon patterns, and Taotie patterns. The bronze ware culture of the Shang Dynasty was mainly in the Erligang period and the Yinxu period. The bronze ware of the Erligang period had inscriptions on the li, and some Western Zhou bronze ware also had inscriptions. "Lüshi Chunqiu·Xianshilan" said: The Zhou Ding had Taotie, with a head but no body, eating people but not swallowing them, which was a way to report the change. The casting of Western Zhou bronze ware has adopted the technology of solid casting, split casting and connection, welding, mechanical connection and other means.
Henan, Shaanxi, Hunan, Hubei, Sichuan, and Jiangxi have all unearthed a large number of exquisite bronze ware, and inscriptions have been found cast on the bronze ware.
3. If the bronzes of Sanxingdui and the bronzes of Xia, Shang and Zhou dynasties were produced in the same period, there should be bronze inscriptions or other characters on the bronzes of Sanxingdui.
The so-called inscriptions, also known as "bell and tripod inscriptions" and "罞器文", are the predecessors of the Great Seal Script. They are the characters cast on bronzes by the Chinese nation after the ancient oracle bone script. They were popular in the Shang and Zhou dynasties and are divided into cast inscriptions and engraved inscriptions. They are of great historical value and have influenced the development of later characters. The inscriptions on the bronzes of the Shang Dynasty have as many as 50 characters, and the least have 3 or 5 characters. The inscriptions on the bronzes of the Zhou Dynasty have as many as 500 characters.
In the Western Zhou Dynasty, the number of characters in the inscriptions increased, and the contents were mostly sacrificial rites, bestowal of orders, conquests, hunting and contracts. For example, the inscription on the Maogong Ding has 32 lines. Over time, the number of bronze inscriptions on bronze ware increased, with about 3,005 characters, mostly appearing on bronze ware such as "ding" and "zhong" that were popular in the Shang and Zhou dynasties. Therefore, bronze inscriptions and inscriptions are also called bell and tripod inscriptions. In the late Shang Dynasty, there were many bronze ware with bronze inscriptions, and a total of 1,300 single characters have been discovered.
Strangely, bronze inscriptions, also known as "bell and tripod inscriptions" and "Bianqi inscriptions", have nothing to do with Sanxingdui. After searching all the bronzes unearthed from Sanxingdui, no bronze inscriptions were found. If the bronzes of Sanxingdui and those of the Xia, Shang, and Zhou dynasties were produced in the same period, the bronzes of Sanxingdui should have bronze inscriptions or other characters. Otherwise, there is only one possibility: the Sanxingdui ruins are the remains of civilizations from the ancient and prehistoric times. They are tens of thousands, hundreds of thousands, or even tens of millions of years different from the Xia, Shang, and Zhou civilizations. It is impossible for bronze inscriptions or other characters to appear on their bronzes.
4. There are no characters on all the bronzes of Sanxingdui civilization, which is isolated from the development trajectory of global characters
From the excavation of the Sanxingdui ruins in the 1920s to today, countless bronze, gold, and jade artifacts have been unearthed. There are no characters on all the bronzes. The Sanxingdui civilization has nothing to do with the development of the global bronze civilization.
The remains of bronze civilization born on the Chinese land after the oracle bone inscriptions are mixed with the remains of bronze inscriptions, and words are engraved on bronze ware. Today, most of the bronze ware unearthed on the Chinese land are engraved with bronze inscriptions.
The history of Chinese characters: oracle bone inscriptions, bronze inscriptions, large seal script, small seal script, official script, cursive script, running script, regular script, among which bronze inscriptions occupy an important page in the history of the development of Chinese characters. The bronze artifacts unearthed by archaeological excavations around the world from 2070 BC to 1046 BC, that is, the Xia, Shang and Zhou Bronze Age in China, mostly have traces of words.
There are no words on all the bronzes unearthed from the Sanxingdui civilization. Isolated from the development trajectory of global characters, how can it be considered a civilization of the Bronze Age in China?
The second "relic": the 9 mythological relics created by Sanxingdui civilization are all recorded in the "Classic of Mountains and Seas". The truth revealed by this "relic" is that Sanxingdui civilization is a civilization born in the ancient times and the ancient times.
Sanxingdui civilization is a civilization born in the ancient times and the ancient times. Otherwise, the bronzes excavated from Sanxingdui civilization should not appear in the "Classic of Mountains and Seas", which specifically records ancient myths and legends and customs.
1. Sanxingdui civilization, born on the land of Bashu, is recorded in the "Classic of Mountains and Seas", which can be regarded as the classic of Bashu culture
"Classic of Mountains and Seas" is a pre-Qin ancient book, a book of great historical value. It records the ancient myths and ancient customs on the land of China, and records the ancient geography and ancient customs on the land of China. It is also a classic book representing Bashu culture circulated in the Bashu region. The "Classic of Mountains and Seas", which represents Bashu culture, records the Sanxingdui civilization born on the land of Bashu. Which ancient book can be more authentic than "Classic of Mountains and Seas"?
The Classic of Mountains and Seas records many myths that happened in China, such as: Kuafu chasing the sun, Nuwa mending the sky, Jingwei filling the sea, Houyi shooting the sun, Huangdi fighting Chiyou, Gonggong angrily hitting Buzhou Mountain and causing a flood, Gun stealing Xirang and successfully controlling the flood, Emperor Tian taking back Xirang and killing Gun, and Dayu successfully controlling the flood. These stories all happened in ancient times.
The popular poems of Qu Yuan, a poet on the land of China, such as "Heavenly Questions" and "Nine Songs", refer to the contents of the Classic of Mountains and Seas a lot. The mythological stories written in the works are mostly mythological stories in the Classic of Mountains and Seas.
For example, "Li Sao" says: I ordered the emperor to open the gate, leaning against the gate and looking at me; "Shan Hai Jing" says: The flood was overwhelming, Gun stole the emperor's breath soil to fill the flood, without waiting for the emperor's order, the emperor ordered Zhu Rong to kill Gun in Yujiao; "Li Sao" says: I ordered Feng Long to ride on the clouds to find the whereabouts of Mi Fei; "Shan Hai Jing" says: Chi You asked Feng Bo and Yu Shi to unleash a strong wind and rain; etc., I won't list them one by one.
"Shan Hai Jing" was written earlier than "Chu Ci", and the high status of "Shan Hai Jing" at that time was unmatched by other classics.
2. Except for the Classic of Mountains and Seas, the Chinese nation has no historical records of Sanxingdui civilization. The Classic of Mountains and Seas alone records 8 myths and legends of Sanxingdui civilization:
The first myth and legend in the Sanxingdui ruins recorded in the Classic of Mountains and Seas:
In ancient times, elephants lived in the Sichuan region of China. These elephants are related to the Sanxingdui civilization. The Sanxingdui civilization has the custom of eating elephants.
The Classic of Mountains and Seas·Dahuang Beijing states: There is the Ba Kingdom in the southwest, and the Zhujuan Kingdom, with black snakes, green heads, and elephants. This means: There are black Ba snakes in the southwest Ba Kingdom, who like to eat elephants. The Classic of Mountains and Seas also states: Three hundred miles to the northeast, it is called Min Mountain... There are many rhinoceroses and elephants, and many Kui cattle.
Archaeologists have discovered that there are many ivory in the Sanxingdui ruins. After checking the existing ancient Chinese documents, there are no records of wild elephants in the Sichuan region of China since ancient times. It can be inferred that the custom of eating elephants in Sanxingdui occurred in ancient times.
The second myth and legend in the Sanxingdui ruins recorded in the "Classic of Mountains and Seas":
There should be a "bronze human-headed bird-bodied statue" 2,890 miles away from the author of the "Classic of Mountains and Seas".
The "Classic of Mountains and Seas" says: There are 23 mountains, 2,890 miles away, and their gods are all bird-bodied and human-faced. Also: human-faced bird-bodied, with two green snakes on his ears, two greens on his feet, bird-bodied and human-faced, riding two dragons. Also: The "Classic of Mountains and Seas" says: Dongfang Ju Mang, bird-bodied and human-faced. Riding two dragons.
Archaeologists have discovered that there is a "bronze human-headed bird-bodied statue" in the Sanxingdui ruins. The real object is exactly the same as the description in the "Classic of Mountains and Seas", with the characteristics of a human face and a bird body, with wings on both sides.
The third myth and legend in the Sanxingdui ruins recorded in the "Classic of Mountains and Seas":
There should also be a "large bronze standing man statue" in this world.
The Classic of Mountains and Seas states: To the east of Kaiming, there are the corpses of Wu Peng, Wu Di, Wu Yang, Wu Lu, Wu Fan, Wu Xiang, and Jia Yu Yu, all of whom hold the elixir of immortality to ward off evil.
Archaeologists have discovered that there is a "large bronze standing man statue" in the Sanxingdui site, wearing a high crown, holding his hands, wearing anklets, standing barefoot, with a solemn face, and holding the "elixir of immortality" in both hands.
The fourth myth and legend in the Sanxingdui site recorded in the Classic of Mountains and Seas:
There should still be bronze sacred trees in this world.
The Classic of Mountains and Seas·The Great Wilderness East states: In the Great Wilderness, there is a mountain called Nie Yao Niu, with a supporting tree on it, with a pillar of 300 miles, and its leaves are like mustard. There is a valley called Wenyuan Valley, and there is a supporting tree on the Tang Valley, one called Fang Zhi, and the other called Fang Chu, all of which are carried by Wu.
The Classic of Mountains and Seas·The Overseas East states: There is Fusang on the Tang Valley, where the ten suns bathe, to the north of Heichi. There is a big tree in the water, nine suns live on the lower branches, and one sun lives on the upper branches.
Archaeologists have discovered that there are eight bronze sacred trees in the Sanxingdui site, which is the most shocking cultural relic unearthed in the Sanxingdui site. A complete tree is 395 cm high, consisting of a base and a main body. The top of the tree is broken, and the branches are divided into three layers, with three branches in each layer. There are a total of nine birds standing on the fruits of the branches. Another tree has only half of the tree trunk left. These bronze sacred trees are almost exactly the same as the "Fusang" and "Jianmu" recorded in the "Classic of Mountains and Seas".
The fifth myth and legend in the Sanxingdui site recorded in the "Classic of Mountains and Seas":
There should be "bronze vertical eyes" in this world.
The "Classic of Mountains and Seas·Dahuang Jing" said: There is a god with a human face and a snake body and red, straight eyes and straight riding, his eyes are dark, and his eyes are bright... This is called Zhulong. It means the god Zhulong, with a human face and a snake body, and straight and long eyes.
"Classic of Mountains and Seas·Great Wilderness North Classic" states: Beyond the northwest sea, north of the Chishui River, there is Zhangwei Mountain. There is a god with a human face and a red snake body, with straight eyes and a straight ride. When he closes his eyes, he is dark, and when he sees, he is bright. He does not eat, sleep, or rest. He is called by wind and rain. He is Zhu Jiuyin, and is called Zhulong.
"Classic of Mountains and Seas·Overseas North Classic" states: The god of Zhongshan is called Zhuyin. He sees as day, sleeps as night; blows as winter, exhales as summer; does not drink, eat, or rest, and his breath is wind. He is a thousand miles long and is located to the east of Wuxie.
Archaeologists have discovered that there are bronze vertical-eyed masks in the Sanxingdui ruins, with eyeballs protruding outward and ears protruding. Zhulong's eyes are vertical eyes.
The sixth myth and legend in the Sanxingdui ruins recorded in "Classic of Mountains and Seas":
There should be "bronze human-headed snake-bodied statues" in this world.
The Classic of Mountains and Seas states: Nuwa, an ancient goddess and emperor, has a human face and a snake body. She changes into seventy forms in one day, and her belly becomes this god.
Archaeologists have discovered that there are bronze statues with human heads and snake bodies in the Sanxingdui ruins, which correspond to the human heads and snake bodies of Fuxi and Nuwa in ancient myths and legends.
The seventh myth and legend in the Sanxingdui ruins recorded in the Classic of Mountains and Seas:
There should be bronze divine birds in this world.
The Classic of Mountains and Seas states: There is a bird, which looks like a chicken, with five colors and patterns, and is called Phoenix. The pattern on its head is called Virtue, the pattern on its wings is called Righteousness, the pattern on its back is called Etiquette, the pattern on its chest is called Benevolence, and the pattern on its belly is called Faith.
Archaeologists have discovered that there is a bird called "Phoenix" in the Sanxingdui ruins, with gorgeous crown feathers, a chicken-like appearance, and colorful feathers.
The eighth myth and legend in the Sanxingdui ruins recorded in the Classic of Mountains and Seas:
There should be "bronze divine beasts" in this world.
The Classic of Mountains and Seas states: There is a beast, which looks like a pig but has teeth, and its name is Dangkang. It calls by itself, and when it is seen, the world will be prosperous.
Archaeologists have discovered that there is a "bronze mythical beast" in the Sanxingdui ruins. This beast lies on all fours, with its head held high and its chest puffed out, and looks very majestic.
3. In addition to recording 8 myths and legends about Sanxingdui ruins, Shanhaijing also records many other stories related to Sanxingdui ruins.
Shanhaijing contains many records related to Sanxingdui ruins, such as Zhongshanjing·Zhongci Qijing: The head of Kushan is Rixiuyu Mountain. There is a stone on it, named Emperor's chessboard... Three hundred miles to the east is Guzhong Mountain, where the emperor's platform is located.
Haiwaixijing also says: Qiongshan is in the north, and people dare not shoot westward, fearing Xuanyuan Hill. It is in the north of Xuanyuan country. The hill is square, with four snakes entwined.
Also called: Chengshan, a four-sided altar.
Shanhaijing, Zhouyi, and Huangdi Neijing are collectively known as the three great ancient books, which respectively record many myths, geography, folklore, religion, history, science and other contents of China. Shanhaijing is famous for recording "divine civilization".
Many cultural relics unearthed from Sanxingdui confirm the records in the "Classic of Mountains and Seas". Many things in the Sanxingdui ruins are related to ancient myths, and at the latest to the Xia Dynasty. For example, jade scepters appear in large numbers in the Sanxingdui ruins. The so-called jade scepters are sacrificial items before the Xia Dynasty. This sacrificial item is not seen in the archaeological excavations of the Shang Dynasty, which shows that the Sanxingdui ruins are an ancient civilization before the Xia, Shang, and Zhou dynasties.
The "Classic of Mountains and Seas", which is famous for recording ancient and prehistoric myths, records many stories of Sanxingdui, which shows that many mythological relics of Sanxingdui recorded in the "Classic of Mountains and Seas" should be mythological relics of Sanxingdui that occurred in the ancient and prehistoric period.
The third "relic": the many bronze artifacts unearthed from the Sanxingdui civilization are completely different from the bronze artifacts on the Chinese land, and the many bronze ritual vessels on the Chinese land are rarely seen in the Sanxingdui civilization. The truth revealed by this "relic" is that the "Sanxingdui civilization" is a civilization created by various ethnic groups
Sanxingdui civilization is a civilization created by the Bashu ethnic group in the Chinese nation, supplemented by various "lost" civilization groups such as Asian civilization, European civilization, American civilization, and African civilization. Otherwise, the cultural relics excavated from the Sanxingdui civilization should not be completely different from the bronze artifacts on the Chinese land of the same period in appearance. The many bronze ritual vessels that appeared on the Chinese land should not be rarely seen in the Sanxingdui civilization.
1. Bronze artifacts with the characteristics of the Xia, Shang, and Zhou Chinese ethnic groups are rarely seen in the Sanxingdui relics
In the Shang Dynasty, the bronze casting industry in China was prosperous. The bronze wares unearthed from various places include: Ding, large Ding, large square Ding, li, yan, hu, gui, jue, pipe-flowing jue, gu, jia, lei, handle pot, gourd-shaped handle pot, middle column pan, pan, etc. A small number of bronze wares were cast with the clan marks of the makers, and more bronze wares had longer inscriptions in the form of records, which can be seen on Ding, li, yan, gui, fu, xu, dun, dou, jue, jiao, jia, gu, zhi, sigong, zun, you, he, square bing, shao, lei, pot, pan, hu, yu, yu, chime cymbals, chime bells, chime bi, and yue.
The bronze artifacts listed above, which have the characteristics of the Chinese nation from the Xia, Shang, and Zhou dynasties, are rarely seen in the Sanxingdui ruins.
Among the Chinese bronze artifacts, the "ding" is the highest-specification artifact. In ancient times, it was said that "the emperor had nine dings and the princes had seven dings". The bronze square ding of the Shang Dynasty is the largest bronze artifact unearthed in the world. From the Shang Dynasty to the Western Zhou Dynasty, the patterns of bronze artifacts appeared in relief and flat carving, with mythical beasts as the theme. The "four-ram square urn" can be called a "bronze model". From the Western Zhou Dynasty to the Spring and Autumn Period, bronze artifacts were mostly long inscriptions. Most of the bronze artifacts unearthed in Sanxingdui are unheard of.
2. The reason why you can't understand the Sanxingdui civilization is that you are surprised by what you have seen. Will you understand it after a few hundred years?
Some archaeologists say that the bronze masks unearthed in the Sanxingdui ruins are almost all thick eyebrows, big eyes, high noses, wide mouths, big ears, bulging eyes, and grinning mouths, which are not like the Central Plains people at all. There is no trace of the facial features of the Central Plains Chinese nation. If Sanxingdui is not an alien civilization, what is it?
Some archaeologists also say that Sanxingdui civilization is ancient Shu civilization, which is part of Chinese civilization. Chinese civilization is rich and colorful, and the masks are exaggerated in art. Some archaeologists cannot understand it because they are surprised by it. After a few hundred years, they will understand it.
There are golden masks and scepters from ancient Egyptian civilization in Sanxingdui. It should be noted that golden masks, golden scepters, and bronze sacred trees are all artifacts of Sumerian civilization, ancient Egyptian civilization, and Mayan culture.
Shell money from the Indian Ocean was also unearthed from the Sanxingdui site.
Among the Sanxingdui cultural relics, only bronze zun, bronze lei, jade zhang, jade cong, jade bi, jade ge, etc. are similar to the Central Plains civilization. The rest of the cultural relics, such as bronze standing people, bronze sacred trees, and bronze vertical-eyed masks, have nothing to do with the Central Plains civilization, and are authentic "foreign civilizations."
3. Sanxingdui ruins are completely different from the Central Plains civilization
The core ritual vessel of Sanxingdui civilization is the lei, while the core ritual vessels of the Shang Dynasty at the same time are the jue, gu, and zun. Sanxingdui civilization is obviously out of sync with the Shang Dynasty at the same time.
The Sanxingdui ruins are completely different from the Central Plains civilization, which has aroused speculation that the Sanxingdui civilization includes Indian, West Asian, American, and European civilizations. The golden mask and golden scepter are related to the Sumerian and ancient Egyptian civilizations. The Sumerian civilization is the earliest civilization in the world. They created the earliest writing in the world: cuneiform. In Sumerian archaeology, sacred trees have also been discovered.
The nose on the golden mask is not the nose of the Chinese nation, but more like that of Europeans. Why is the Sanxingdui ruins completely different from the Central Plains civilization? There is a "pyramid" in the ancient city of Sanxingdui, which is surprisingly similar to the Egyptian pyramids.
The openness and tolerance shown by Sanxingdui civilization are amazing, and it also tells future generations that the reason why Sanxingdui civilization is completely different from the Central Plains civilization of Xia, Shang and Zhou is that Sanxingdui civilization is mainly created by the Bashu ethnic group in the Chinese nation, supplemented by various "scattered" civilization groups such as Asian civilization, European civilization, American civilization, and African civilization. The time of creation was the ancient times and the ancient times.
The fourth "relic": the large bronze mask unearthed from the Sanxingdui civilization was transported to Jiangxi, the heartland of the Central Plains, more than a thousand kilometers away. The truth revealed by this "relic" is that the "Sanxingdui civilization" was born when the earth was still "developing" and the earth's gravity was not as strong as it is today.
The Sanxingdui civilization was born when the earth was still "developing" and the earth's gravity was not as strong as it is today. Otherwise, the large bronze mask excavated from the Sanxingdui civilization should not be transported to Jiangxi, the heartland of the Central Plains, more than a thousand kilometers away.
1. The copper mine site is more than 1,500 kilometers away from Sanxingdui. The transportation capacity of the ancient people of Sanxingdui puzzled archaeologists.
Scientists analyzed the bronze artifacts of Sanxingdui and found "irregular lead". "Irregular lead" was also found on the bronze artifacts of the Shang Dynasty site in Wucheng, Jiangxi. The isotope test results showed that the bronze artifacts of the two sites came from the same copper mine. Where is this copper mine? With today's human transportation methods, the distance of the copper mine is very important.
No copper mine was found around Sanxingdui. However, a copper mine site was found near the Wucheng site in Jiangxi. This copper mine is the earliest and most complete large-scale copper mine remains found in China. It is divided into two areas: mining and smelting. The amount of slag left after copper smelting is 100,000 tons.
The copper mine site is about 1,500 kilometers away from Sanxingdui. The transportation capacity of the ancient people of Sanxingdui has impressed many archaeologists. Many archaeologists said, how to transport over a distance of more than 1,500 kilometers? Rely on the Yangtze River, Fu River and Min River? Go downstream into Sichuan? The transportation capacity is beyond imagination.
When the Bashu people of the ancient Chinese nation first floated into the land of East Asia, the water of the Yellow River and the Yangtze River had not yet descended on the land of China today.
The water on the earth was brought by the earth from another galaxy. Before the formation of the earth's gravity, these waters were like today's clouds, floating in the air one piece after another, one group after another. After the earth's gravity increased, these waters were "forced" to cover the earth and mixed to varying degrees, causing some water clouds to become oceans, and some water clouds to become lakes and rivers. After that, the Yellow River and the Yangtze River that nourished and nurtured them appeared on the land of China.
The "unreasonable" transportation method of Sanxingdui civilization reveals that Sanxingdui civilization is a civilization created by the Chinese nation in the ancient times and ancient times. Only when the earth was still "developing" and the earth's gravity was not as strong as it is today, could the Sanxingdui people carry these bronze artifacts from distant Jiangxi to Sichuan (see the book "Why did the Egyptians build the pyramids? How did the Egyptians build the pyramids?" for details).
2. At that time, transporting large copper masks was like flipping them in the turbulent and buoyant Yellow River. No one would feel that they were heavy.
The solar system was formed 4.6 billion years ago. The various parts rotated to form the sun, planets, satellites, meteoroids and other small solar system bodies. The original earth appeared in the solar system about 4.54 billion years ago. At the beginning of its birth, the earth's crust, mantle and core were mixed together.
The earth's core was formed layer by layer, not suddenly. The "development" of the earth must first form the core to form today's gravity, and then form the crust and mantle. The iron and heavy metals on the earth condensed towards the core as the earth rotated.
It was not until 3.5 billion years ago that the earth became a sphere with a bulge at the equator and a flattened pole. The earth's magnetic field appeared, and the earth's gravity began to appear. After hundreds of millions of years, the earth's gravity began to increase, but it was not as strong as the earth's gravity today. Giant objects can still be easily moved, and the Sanxingdui civilization began to transport large copper masks.
Sanxingdui civilization was not born in a few years, but tens of thousands or even tens of millions of years.
The weight of the large bronze masks at that time was like flipping them in the turbulent and buoyant Yellow River. No one would feel that they were heavy. These large bronze masks that looked large were very light on the earth without strong gravity. At that time, everything on the earth was frivolous.
Sanxingdui civilization, with its "relic" of "large bronze masks transported more than a thousand kilometers to Jiangxi, the heartland of the Central Plains", and its special way of transporting large bronze masks in a specific historical period, tells future generations: Sanxingdui civilization is a civilization created by the Bashu ethnic group in the Chinese nation, supplemented by various "lost" civilization groups such as Asian civilization, European civilization, American civilization, and African civilization. The time is the ancient times and the ancient times.
The fifth "relic": "The bronzes and many cultural relics unearthed from the Sanxingdui civilization are all fragments." The truth revealed by this "relic" is that the function of many bronze masks and cultural relics of the "Sanxingdui civilization" is to "collide with each other."
The function of the bronze masks and many cultural relics unearthed from the Sanxingdui civilization is to "collide with each other." Otherwise, the bronzes and many cultural relics excavated from the Sanxingdui civilization should not be all fragments.
Today, archaeologists have discovered that the bronzes excavated from the Sanxingdui civilization are almost all fragments. Archaeologists believe that there are two possibilities: sacrificial damage and war damage. As long as they are carefully considered, both possibilities do not exist.
Sacrificial damage: At most a small part is damaged, how can it be completely damaged? War damage: How can there be such a "good" foreign invading soldier? Dig a pit and bury it intact while smashing the sacrifice?
Excavation found that several sacrificial pits with rich treasures are located in the center of the ancient Shu Kingdom. In theory, they have a unique status in the ancient Shu Kingdom, although the sacrificial pits were born at different times, which means that they were planned in advance.
There are so many bronze masks in the Sanxingdui civilization, but they are not used for sacrifices. Their special function is to hang large ones and hammer small ones. The collision between large bronze face bells and small bronze face hammers makes the bronze masks emit a deafening sound.
In the Sanxingdui ruins, some large face bells have protruding sticks in the eyes. In order to hang the face bells on trees, most of the large face bells have holes in the center, which are just the right size to pass through cowhide ropes or tree vine ropes. The Sanxingdui people used cowhide ropes or tree vine ropes to pick up each large face bell and hang them on the trees. Then they used small bronze face hammers or bronze objects to knock on the large face bells, and the large bronze face bells would emit a deafening sound.
Some people say that the purpose of the holes is to be able to use tree sticks to pick up each large face bell for sacrifices? The answer is NO! Because if you want to use a stick to lift each large face bell for sacrifice, the hole should be several times larger than it is now, and there should be a hole on each side of the large face bell, instead of the current masks with 3 holes and some with only 1 hole, so that the thick stick can pass through the hole. Obviously, the hole on most face bells is in the center. When casting such a small hole, it is definitely not thought of using a stick to pass through this hole.
In the pit of Sanxingdui civilization, there are gold ornaments, gold masks, gold foil, bronze masks, bronze sacred trees, bronze statues, ivory carvings, jade cong and other cultural relics, almost all of which are fragments. Many large and small cultural relics have been damaged. Some archaeologists say that this is "damaged during sacrifice". You must know that the purpose of casting large and small cultural relics is to collide with each other to make sounds. It is very normal for them to be damaged during the desperate collision.
These sacrificial pits are ancient tree pits where the main mask bells are hung. First, a mask bell was hung on an ancient tree. Not long after, another mask bell was hung on an ancient tree next to it. The function is the same, all to make the volume of these large mask bells resound through the sky.
Archaeologists can compare, it is very likely that the large and small bronze masks are paired, and the function of the Sanxingdui bronze masks is to "collide with each other", which may add a corroboration.
Therefore, the cultural relics in the ancient tree pits will not only not remain intact, but also increase in the number of damages over time. You know, the mood when hitting the face bell is extremely exciting. Looking at the boundless sky, the hand rises and the hammer falls, the bell sounds loudly, and a bronze hand hammer is broken, and another one is picked up casually, even if it is not a small bronze mask, but just a bronze casting.
After the welcoming ceremony ended again and again, most of the bronze artifacts in the ancient tree pits were broken, which is understandable. After the warm and tense welcoming ceremony, how could these items not be broken?
The broken objects cannot be used for other purposes, but they cannot be discarded at will. They played a huge role when the Sanxingdui people floated into the Sanxingdui settlement. They have a special weight in the hearts of the Sanxingdui people and are "holy objects" in the hearts of the Sanxingdui people.
What to do? The best way is to arrange the broken objects in an orderly manner, pile up "valuable" but not circulated "precious objects" such as ivory as sacrificial objects, hold corresponding ceremonies, and bury them carefully. This is why the scene seen at the Sanxingdui cultural relic excavation site today is different from other cultural relic archaeological sites.
This "relic" also provides another evidence for the truth that the Sanxingdui civilization was the "holy land" when people floated into the Sanxingdui settlement. It tells future generations that the Sanxingdui civilization was created in the ancient times and the ancient times.
The sixth "relic": Many cultural relics unearthed from the Sanxingdui civilization have been found to have "written characters" earlier than oracle bone inscriptions - Sanxingdui pattern symbols. The truth revealed by this "relic" is that the "Sanxingdui civilization" was born in the ancient and ancient times when writing had not yet sprouted.
The Sanxingdui civilization was born in the ancient and ancient times when writing had not yet sprouted. Otherwise, the cultural relics unearthed from the Sanxingdui civilization should not have "written characters earlier than oracle bone inscriptions - Sanxingdui pattern symbols".
1. The smart people of Sanxingdui left pictures and symbols for future generations
The Sanxingdui civilization was born in the ancient and ancient times when writing had not yet sprouted. It had not yet formed a writing system. Although it was dominated by Chinese civilization, supplemented by various "lost" civilization groups such as Asian civilization, European civilization, American civilization, and African civilization, it was one of the "post stations" when it floated into the earth. The smart Sanxingdui people were not satisfied with the history without "writing", but the smart people of Sanxingdui only left pictures and symbols for future generations.
Archaeologists wonder, how could a prosperous dynasty have no writing? For example, the Xia Dynasty on the land of China, which lasted for 14 generations and 17 kings, how could it have no writing?
Human language and writing are two completely different systems. Humans can live prosperously from generation to generation, but they can be illiterate from generation to generation. Humans without writing do not feel any difficulty. Human language is natural, and human writing needs to go through the process of "design, learning, inheritance, and application".
Before the birth of writing on the earth, the greatest "ability" of the "smart people" in ancient times was to use pictures and symbols. Many rock carvings, engraved characters, rock paintings, and pictorial characters have been discovered around the world.
For example, the Jiahu inscribed symbols found on the land of China, the pictorial symbols in the Liangzhu primitive ruins, and the text and picture symbols in the late Longshan culture, the history is 1,200 years earlier than the Yinxu oracle bone inscriptions.
For example, the "Tangbaletas Cave Painted Rock Painting Group" discovered in Xinjiang on the land of China, the ancient rock painting gravels discovered in Xiaokuzibai and Baozidong on the southern foot of the Tianshan Mountains, and in the same period, rock carvings, engravings, rock paintings, and pictorial characters were discovered all over the world. Zambia has rock carvings, engravings, rock paintings, and pictures, Kundabuweka has rock paintings, Italy has the world's largest rock carvings, and western Australia has rock murals, which were created 20,000 years ago and number 500,000 to 1 million.
2. What is the "standard" for deciphering the "pictorial symbols" of the Sanxingdui site?
Pictorial symbols have been found on jade, bronze, bamboo slips, clam shells, clam shells, tortoise shells, turtle shells, bark, cattle bones, teeth, etc. unearthed from the Sanxingdui civilization. At first glance, they look like words, but if you look closely, they are "expressive" relics that are "earlier than words and later than pictures."
Some scholars believe that a pattern symbol unearthed from the Sanxingdui site is very similar to the word "wind" in oracle bone script. The lower part of the font uses Z and S to draw a "person" with a curled body, and the "factory" is above, indicating that this "person" sleeps under the "factory" house. Archaeologists explain that this "person" is sick and has "wind", and this word is "wind".
Some scholars believe that there is an H symbol on the forehead of the bronze human head unearthed from Sanxingdui Pit No. 2, and this pattern symbol is also a variant of "wind".
Some scholars believe that among the pattern symbols unearthed from the Sanxingdui site, there is a pattern symbol that is very similar to the word "silk" in ancient Egyptian characters. The ancient Egyptian hieroglyphics were born 5,500 years ago, when the ancient Egyptians created hieroglyphics.
Some scholars also believe that among the symbols carved on the scapula of cattle unearthed from the Sanxingdui site, there is a symbol that looks like the variant of the large seal character "高", a symbol that looks like the variant of the large seal character "山", a symbol that looks like the similar character of the large seal character "吉", a symbol that looks like the similar character of the large seal character "辰", a symbol that looks like the similar character of the large seal character "既", a symbol that looks like the similar character of the large seal character "问", and so on.
Here, a "standard" issue is involved. In the past, the deciphering of oracle bone inscriptions on the land of China had ancient characters such as bronze inscriptions, large seal characters, and small seal characters as powerful "standards". Pictographic characters or phono-semantic characters, ideographic characters or phono-semantic characters, were well-founded, reasonable and orderly. Today, what is the "standard" for the deciphering of the symbols unearthed from the Sanxingdui site?
Take a closer look, the "characters" of the Sanxingdui civilization presented to people:
Some "characters" look like holy book characters, but most "characters" do not.
Some "characters" look like Mayan characters, but most of them don't.
Some "characters" look like cuneiform characters, but most of them don't.
Some "characters" look like seal characters, but most of them don't.
Some "characters" look like oracle bone inscriptions, but most of them don't.
These "ancient characters" are "pictorial symbols" in the stage of coexistence of pictures and texts. They are earlier than oracle bone inscriptions. If they were born in the Xia, Shang and Zhou dynasties, Sanxingdui civilization would have mature characters. The founders of Sanxingdui civilization, whether they were Chinese, other ethnic groups, or aliens, could not have left traces of characters on bronze ware. Sanxingdui civilization would have cast "characters" on bronze ware and used "characters" to write the history of Sanxingdui civilization.
Perhaps, if experts on ancient Egyptian hieroglyphics, experts on Mayan characters in Central America, experts on cuneiform characters in West Asia, experts on seal characters in India, and experts on oracle bone inscriptions were invited together, the deciphering of Sanxingdui "characters" should have a ziwumaoyou.
The "relic" of the pattern symbols unearthed from the Sanxingdui ruins tells future generations that the Sanxingdui civilization was born in the ancient times and prehistoric times before the Xia, Shang and Zhou dynasties.
Two deep reasons why the "Sanxingdui civilization" made such a large bronze mask
Sanxingdui civilization was created by the Bashu people of the Chinese nation in the ancient times and prehistoric times when they just floated into the earth, supplemented by various "lost" civilization groups such as Asian civilization, European civilization, American civilization, and African civilization. Why did they create these civilizations? What puzzles archaeologists is why they took so much effort to make such a large bronze mask? The reasons are as follows:
One of the deep reasons is the terrain of mountains and ridges around Sichuan
Sichuan is surrounded by mountains and ridges. Since ancient times, mountains have been opened to dig roads, piles have been built and bridges have been built, and the "Shu Road" has appeared. However, Li Bai still said in his "Shu Road Difficulty": Alas, how dangerous and high it is! The difficulty of Shu Road is more difficult than climbing to the sky! Cancong and Yufu, how confused they were when they founded the country, and for 48,000 years, there has been no human contact with Qinsai.
Sichuan, where the Sanxingdui civilization is located, does not have the vast deserts of Egypt, the cold climate of Britain, or the desolate mountains of Peru. What they have are the towering mountains that have not yet descended on the land of Sichuan.
At that time, most of the matter on the earth was suspended. The river water, even the river water and the sea water, were in the form of huge water columns, rising into the sky, and the entire river water, even the river water and the sea water, were suspended in the air. There was natural water everywhere: including surface water such as rivers, oceans, glaciers, lakes, swamps, and groundwater in the soil and rock layers, one after another huge water cloud or water column. All the riverbeds, riverbeds, seabeds, and mountains at that time were sometimes dry with the appearance of tides, and the rocks were exposed, and sometimes soaked and overflowing with tides.
Sichuan, where the Sanxingdui civilization is located, has high mountains and steep ridges that rise and fall from time to time. The difficulty of the Shu Road lies in its ruggedness and steepness. Sichuan is mainly mountainous, followed by hills, and there are very few plains and plateaus.
Sanxingdui civilization and the Xia, Shang and Zhou civilizations that were born on the land of China are civilizations born in two different periods. Sanxingdui civilization was born much earlier than the Xia, Shang and Zhou civilizations that were born on the land of China.
The high similarity between some cultural relics of the Jinsha ruins and the Sanxingdui ruins proves that the two belong to the same cultural system. The Jinsha ruins were also another airport to welcome aliens in the ancient times. The large and small bronze masks were also navigation instruments to guide aliens to land accurately at the Jinsha ruins.
The function of the large bronze masks unearthed from the Sanxingdui ruins is to float on the trees, while the function of the small bronze masks is to collide with each other, making loud sounds to guide the wives, sons, daughters, and relatives of the tribe, including the scattered people of Central Asia, Europe, America, Africa and other ethnic groups, who are floating in the air and trying to enter Sanxingdui, so that they can accurately land in the Sanxingdui village where they have set up camp as the vanguard.
Sanxingdui civilization is the most emotional civilization among the prehistoric civilizations of China.
The second deep reason is that the ancient Bashu people love music by nature.
The Bashu people in ancient and prehistoric times loved music, so they chose the unprecedented way of hitting the big and small bells to make a deafening sound to rescue their compatriots and relatives.
This love of music attribute continued until the Spring and Autumn Period and the Warring States Period. The cymbals (similar in appearance to the bells) in the Bashu bronze musical instruments still occupied an important position in the ancient Chinese musical instruments. Its characteristics are like the Sanxingdui bronze cover, a percussion instrument, 1 meter high, like two tiles interlocking, with a drum in the middle and pointed on both sides. The main pattern of some cymbals is a deformed human face, which looks like a human face at first glance, and is a replica of the Sanxingdui bronze mask.
In addition, the Bashu people also have a bronze instrument called Chunyu, which is placed on the shoulder and struck to make a sound as loud as thunder. Before assassinating the King of Qin, Jing Ke struck the "Zhu" and sang. Whether there is a relationship between "Zhu" and "Chunyu" can be studied by musicologists. It is an indisputable fact that the glorious Bashu music in history has injected blood into Chinese music.
Bashu bronze musical instruments also include bells and cymbals, which are all percussion instruments. The pre-Qin bronze musical bells unearthed in Bashu include: Yong bell, Bian bell, Bi bell, Niu bell, and some bells have seven-tone scales, while the instruments of ancient Chinese music that have been passed down for thousands of years have only five-tone scales. The Western Zhou Dynasty regarded Bashu as a "barbarian tribe" outside the Central Plains. If the Central Plains music had not been compatible with the music of ethnic minorities, Chinese music might still have a five-tone scale today.
In addition to their love of music, the ancient and ancient Bashu people also had a nature of not fearing anything and facing challenges head-on. The oracle bone script recorded their living habits.
The meaning of "Shu" in oracle bone script is (eye) + (insect, snake), which means that the ancient and ancient Bashu people stared at insects and snakes with wide eyes. "Shuowen Jiezi" says: Shu is the silkworm in the sunflower. From the insect, the upper eye resembles the shape of Shu's head, and the middle resembles its body.
The character "巴" in oracle bone script is a pictographic character, which looks like a person with big and long hands who is good at climbing. In ancient times, the people of Bashu spent their whole lives climbing on the cliffs in the mountains. The oracle bone script called them "巴人", which means "climbers".
Sanxingdui ruins is the "holy land" in the journey of human beings floating into the earth
Today, all archaeological conclusions say that the Sanxingdui ruins are 3,000 to 5,000 years old. The conclusion comes from the intuition of scholars. Stone walls, stone rings, stone axes, turquoise, beads and pottery were unearthed, and carbon 14 was used to analyze charcoal samples.
The Sanxingdui ruins were an airport to welcome aliens in ancient times. The pioneers of the Bashu civilization, a branch of the Chinese civilization that had floated into the Sanxingdui settlement, and the pioneers of the "lost" civilization groups such as Asian civilization, European civilization, American civilization, and African civilization, specially built an airport on the earth to welcome aliens in order to guide the second, third, and Nth batches of relatives and clansmen who floated into the earth.
The large and small bronze masks are navigators that guide aliens to accurately land in Sanxingdui. These navigators do not emit light and shadow bands, but deafening impact sound waves, so that their wives, daughters, parents, and brothers and sisters in the air can hear them from afar, follow the sound, and accurately land on the Sanxingdui land where they have set up camp as the vanguard.
In the ancient times, the opening of the Sanxingdui airport and settlements provided a "window" for the Bashu people to float into the earth. The large and small bronze masks cast by the Bashu people, which were unprecedented and unparalleled, became the "navigation artifact" for the Bashu people to float into the earth.
At the same time, the Sanxingdui ruins also became one of the "post stations" for the floating into the earth, mainly the Chinese civilization, supplemented by the "lost" civilization groups such as European civilization, American civilization, African civilization, and Asian civilization. The Sanxingdui ruins played an important role in the journey of human beings floating into the earth. With the deepening of archaeological excavations, the colorful cultural objects of various ethnic groups unearthed from the Sanxingdui ruins will prove this.
The Sanxingdui ruins, like the Sphinx in Egypt, the Nazca lines in Peru, and the Stonehenge in Wiltshire, England, are the "holy places" for the floating into the earth, mainly the Chinese civilization, supplemented by the "lost" civilization groups such as European civilization, American civilization, African civilization, and Asian civilization.
No comments:
Post a Comment